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 Greeting Card featuring the painting Michelle-Venezuela by Daniela Easter

Boundary: Bleed area may not be visible.

The watermark at the lower right corner of the image will not appear on the final product.

Inside Message (Optional)

Type your message, above, and you'll see what it looks like on the inside of the card, below.

Inside View

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Michelle-Venezuela Greeting Card

Daniela Easter

by Daniela Easter



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Image Size


Product Details

Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Design Details

Michelle was a little girl that I met on a visit to a coffee town in Venezuela. She is holding an arepa, a staple corn based bread. I couldn't get... more

Ships Within

2 - 3 business days

Additional Products

Michelle-Venezuela Painting by Daniela Easter


Michelle-venezuela Canvas Print

Canvas Print

Michelle-venezuela Framed Print

Framed Print

Michelle-venezuela Art Print

Art Print

Michelle-venezuela Poster


Michelle-venezuela Metal Print

Metal Print

Michelle-venezuela Acrylic Print

Acrylic Print

Michelle-venezuela Wood Print

Wood Print

Michelle-venezuela Greeting Card

Greeting Card

Greeting Card Tags

greeting cards

Painting Tags


Comments (2)

Anna-maria Dickinson

Anna-maria Dickinson

Just perfect.

Artist's Description

Michelle was a little girl that I met on a visit to a coffee town in Venezuela. She is holding an arepa, a staple corn based bread. I couldn't get her smile out of my head until I put it down on canvas. Please note: the watermark 'fine art america' will not appear in the final print.

About Daniela Easter

Daniela Easter

As artists we are often asked what inspires us. I've always found this a difficult question, as the answer is infinite. My range of subject matter has always been varied from realistic portraits to completely abstract acrylics. I get bored easily and will change subjects regularly. Not until recently however, did I discover that in fact my subject matter is secondary to what truly inspires me: texture. Not the texture of the actual objects or of my subject matter but the texture of the mediums that I work in. I will become overwhelmed with the feel of pencil on toothy paper, of painting in acrylics with my hands, of a hard edge of pigment on feather-soft watercolor paper. I will be lost in my mediums often for weeks or months at...