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Caramel Creme Metal Print featuring the painting Caramel Creme by Daniela Easter

The watermark in the lower right corner of the image will not appear on the final print.

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Caramel Creme Metal Print

Daniela Easter

by Daniela Easter

$0.00

Product Details

Caramel Creme metal print by Daniela Easter.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

Caramel Creme is from a body of work entitled Chocolat! Please note: the watermark 'fine art america' will not appear in the final print.

Ships Within

3 - 4 business days

Additional Products

Caramel Creme Painting by Daniela Easter

Painting

Caramel Creme Canvas Print

Canvas Print

Caramel Creme Framed Print

Framed Print

Caramel Creme Art Print

Art Print

Caramel Creme Poster

Poster

Caramel Creme Metal Print

Metal Print

Caramel Creme Acrylic Print

Acrylic Print

Caramel Creme Wood Print

Wood Print

Caramel Creme Greeting Card

Greeting Card

Metal Print Tags

metal prints chocolate still life metal prints caramel creme metal prints chocolate metal prints chocolates metal prints realism metal prints

Painting Tags

paintings chocolate still life paintings caramel creme paintings chocolate paintings chocolates paintings realism paintings

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Artist's Description

"Caramel Creme" is from a body of work entitled Chocolat! Please note: the watermark 'fine art america' will not appear in the final print.

About Daniela Easter

Daniela Easter

As artists we are often asked what inspires us. I've always found this a difficult question, as the answer is infinite. My range of subject matter has always been varied from realistic portraits to completely abstract acrylics. I get bored easily and will change subjects regularly. Not until recently however, did I discover that in fact my subject matter is secondary to what truly inspires me: texture. Not the texture of the actual objects or of my subject matter but the texture of the mediums that I work in. I will become overwhelmed with the feel of pencil on toothy paper, of painting in acrylics with my hands, of a hard edge of pigment on feather-soft watercolor paper. I will be lost in my mediums often for weeks or months at...

 

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