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Oil Painting Metal Print featuring the painting Ripe for the picking by Daniela Easter

The watermark in the lower right corner of the image will not appear on the final print.

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Ripe for the picking Metal Print

Daniela Easter

by Daniela Easter

$69.00

Product Details

Ripe for the picking metal print by Daniela Easter.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

I waited all summer for these apples to grow! It was only right to capture them on canvas before I ate them! Please note: The watermark in the... more

Ships Within

3 - 4 business days

Additional Products

Ripe for the picking Painting by Daniela Easter

Painting

Ripe For The Picking Canvas Print

Canvas Print

Ripe For The Picking Framed Print

Framed Print

Ripe For The Picking Art Print

Art Print

Ripe For The Picking Poster

Poster

Ripe For The Picking Metal Print

Metal Print

Ripe For The Picking Acrylic Print

Acrylic Print

Ripe For The Picking Wood Print

Wood Print

Ripe For The Picking Greeting Card

Greeting Card

Metal Print Tags

metal prints realism metal prints food and beverages metal prints food metal prints kitchen metal prints restaurant metal prints orchard metal prints fresh fruit metal prints

Painting Tags

paintings realism paintings food and beverages paintings food paintings kitchen paintings restaurant paintings orchard paintings fresh fruit paintings

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Artist's Description

I waited all summer for these apples to grow! It was only right to capture them on canvas before I ate them! Please note: The watermark in the bottom corner (fine art america) will not appear in the final print.

About Daniela Easter

Daniela Easter

As artists we are often asked what inspires us. I've always found this a difficult question, as the answer is infinite. My range of subject matter has always been varied from realistic portraits to completely abstract acrylics. I get bored easily and will change subjects regularly. Not until recently however, did I discover that in fact my subject matter is secondary to what truly inspires me: texture. Not the texture of the actual objects or of my subject matter but the texture of the mediums that I work in. I will become overwhelmed with the feel of pencil on toothy paper, of painting in acrylics with my hands, of a hard edge of pigment on feather-soft watercolor paper. I will be lost in my mediums often for weeks or months at...

 

$69.00

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