The watermark in the lower right corner of the image will not appear on the final print.
6.50" x 8.00"
12.00" x 13.50"
Blue Wave #6 Framed Print
by Daniela Easter
Blue Wave #6 by Daniela Easter - 6.5" x 8"
Archival Matte Paper
CRQ13 - Black Wood (CRQ13)
1/8" Clear Acrylic - Foam Core Mounting
Blue Wave #6 framed print by Daniela Easter. Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
This one of a kind painting is produced in the traditional methods of Turkish Water Marbling. ... more
3 - 4 business days
Framed Print Tags
This one of a kind painting is produced in the traditional methods of Turkish Water Marbling. Traditional Turkish Water Marbling involves the sprinkling of water-based paints onto a size or thickened water bath usually made of carrageenan or Irish Moss. The colours spread without mixing and designs are created by moving the layered paint on the water with handmade traditional tools such as a hand rake. A piece of treated paper is carefully put down on the water to absorb the paint and the paper is removed and rinsed to remove the size. It leaves behind the exact painting that was on the water. The papers are then dried and ironed for framing or for use in bookbinding or other arts. Although an artist can try to produce a similar painting by using the exact same colours, in the exact same order, thinned to the exact same consistency and using the exact same manipulation techniques, it is impossible to replicate an Ebru painting exactly. The artist has no way of controlling w...
About Daniela Easter
As artists we are often asked what inspires us. I've always found this a difficult question, as the answer is infinite. My range of subject matter has always been varied from realistic portraits to completely abstract acrylics. I get bored easily and will change subjects regularly. Not until recently however, did I discover that in fact my subject matter is secondary to what truly inspires me: texture. Not the texture of the actual objects or of my subject matter but the texture of the mediums that I work in. I will become overwhelmed with the feel of pencil on toothy paper, of painting in acrylics with my hands, of a hard edge of pigment on feather-soft watercolor paper. I will be lost in my mediums often for weeks or months at...
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