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Water Marbling Canvas Print featuring the painting Blue Wave 2 by Daniela Easter

The watermark in the lower right corner of the image will not appear on the final print.


Top Mat

Top Mat

Bottom Mat

Bottom Mat



10.00" x 6.50"


10.00" x 6.50"


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Blue Wave 2 Canvas Print

Daniela Easter

by Daniela Easter


Product Details

Blue Wave 2 canvas print by Daniela Easter.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

This one of a kind painting is produced in the traditional methods of Turkish Water Marbling. ... more

Ships Within

3 - 4 business days

Additional Products

Blue Wave 2 Painting by Daniela Easter


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Canvas Print Tags

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Painting Tags

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Artist's Description

This one of a kind painting is produced in the traditional methods of Turkish Water Marbling.

Traditional Turkish Water Marbling involves the sprinkling of water-based paints onto a size or thickened water bath usually made of carrageenan or Irish Moss. The colours spread without mixing and designs are created by moving the layered paint on the water with handmade traditional tools such as a hand rake. A piece of treated paper is carefully put down on the water to absorb the paint and the paper is removed and rinsed to remove the size. It leaves behind the exact painting that was on the water. The papers are then dried and ironed for framing or for use in bookbinding or other arts.

Although an artist can try to produce a similar painting by using the exact same colours, in the exact same order, thinned to the exact same consistency and using the exact same manipulation techniques, it is impossible to replicate an Ebru painting exactly. The artist has no way...

About Daniela Easter

Daniela Easter

As artists we are often asked what inspires us. I've always found this a difficult question, as the answer is infinite. My range of subject matter has always been varied from realistic portraits to completely abstract acrylics. I get bored easily and will change subjects regularly. Not until recently however, did I discover that in fact my subject matter is secondary to what truly inspires me: texture. Not the texture of the actual objects or of my subject matter but the texture of the mediums that I work in. I will become overwhelmed with the feel of pencil on toothy paper, of painting in acrylics with my hands, of a hard edge of pigment on feather-soft watercolor paper. I will be lost in my mediums often for weeks or months at...



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